It sounds so simple.  It actually is if conditions are perfect, unfortunately they never are. What you are really paying for is my experience recording audio in imperfect conditions and my ability to overcome them.

Full sound design, dialog editing, SFX recording and sweetening, music mixing and stem printing from my 500 sq foot ProTools Ultimate studio.

Intermodulation on wireless is an ugly thing.  Coordinating frequencies to avoid harmonic interference can be complicated and you often don’t know there is an issue until the last minute.  I can solve this issue for you.  FCC call sign WQQM427.

My knowledge of proper gain staging so post can deal with whispers and shouts without having to deal with a high noise floor or clipping is just a tiny part of the benefit of years of experience.

If you do need to do some ADR or voice over, you don’t need to go to LA.  I have a 500 square foot studio in my house in Missoula where I record ADR, VO, podcasts and even music when I’m not out working on a project.

Transcription recording is available when needed. I can record a separate time code stamped mp3 file or a file with LTC on one channel and scratch audio on the other depending on the requirements of your transcription service.

I am experienced and effective supervising other mixers, coordinating frequencies among multiple wireless kits and planning and managing post workflow for multiple mixers and cameras.

Not many sound mixers have a BA in business with an accounting concentration or spent years preparing budgets for cities and counties. I may be the only one. I can help you put together a realistic, efficient audio budget for your project.  Know what you must have and what it will cost.

Sometimes you return to a set that you scouted earlier and realize you are in an airline flight path or right next to train tracks.  It looked so great, you may not have noticed the audio issues.  My critical listening skills could save you some headaches down the road.